While I haven't yet had the chance to attend one of the touring festivals since their start in 2011, as a former media person with a life-long fascination in all things nuclear, the international Uranium Film Festival holds a very special interest for me. This past Sunday, May 26th capped nine days of film and documentary showings in Rio with the "Yellow Oscar" awards, celebrating offerings of exceptional merit. From the Uranium Film Festival's "Art and Awareness" website section,
[The festival] was founded in 2011 in Santa Teresa, the famous artist quarter in the heart of Rio de Janeiro. The aim of the festival is to inform the public, from a neutral position, about nuclear power, uranium mining, nuclear weapons and the health effects of radioactivity. The horror of atomic bombs and those who suffered from them, and nuclear accidents like Chernobyl or Fukushima should never be forgotten - nor repeated. The correlation between nuclear energy and weapons must be openly discussed. The festival inspires discourse about the health and environmental risks of radioactive materials and waste. We seek to educate and activate the public on these issues. The dynamic media of film is an important tool to bring that information to a diverse international public.
Among this year's Yellow Oscar winners is Nuclear Savage: The Islands of Secret Project 4.1, a documentary by Adam Jonas Horowitz on the devastating effects of U.S. Cold-War nuclear testing on residents of the Marshall Islands, including government footage of nuclear tests and interviews with residents of nearby Rongelap Atoll,which was never evacuated before the March 1954 "Bravo" test - America's largest-ever atomic test explosion, a thousand times more powerful than Hiroshima.
Other winners this year include Atomic Ivan (Russia), for best feature fiction movie; Curiosity Kills (Estonia), for best short comedy; High Power (India), for best short documentary; Abita (Germany), for best animated film, and No to a Nuclear Jordan (Jordan), for the best student film.
Over 20 years ago, the Hiroshima newspaper Chugoku Shimbun sent a team of reporters to 15 nations around the world to gather personal accounts of people affected by radiation - from reactor accidents, accidental contamination, to nuclear weapons manufacturing and testing. The interviews were initially published as a series of eight newspaper features titled "Sekai no Hibakusha," or "Hibakusha (figuratively, "atomic bomb survivors") Around the World." This monumental series won a Japan Newspaper Publishers and Editors Association award in 1990, and was subsequently published in book form the following year. Executive Director of the Chugoku Shimbun Yukio Ogata explains,
"Largely as a result of the articles' success in bringing the public's attention to the dangers of radiation, a number of victims of radioactive contamination from areas as far-flung as Chernobyl and Bikini Atoll were able to participate in the world convention held in Hiroshima by the International Physicians for the Prevention of Nuclear War in October 1989...[T]he convention heard details concerning the damage caused by nuclear testing in Kazakhstan, which until then had been shrouded in secrecy. In turn, this disclosure of widespread destruction of the environment prompted the Chugoku Shimbun to instigate the first-ever investigation of the testing area.
At the same time, the articles served to emphasize the role that Japan could play to help radiation victims around the world. The fact that the articles have prompted the exchange of information concerning the treatment of radiation victims in Japan to help those in a similar plight in other countries is a great source of satisfaction to us at the Chugoku Shimbun. We hope that, in the future, Japan will become known as an information center for radiation victims and the treatment of their illnesses."
"There is compelling appropriateness in the project's being undertaken by concerned journalists from Hiroshima. From the time the bomb was dropped, the Chugoku Shimbun, as Hiroshima's leading newspaper, has been a prime source of information about the experiences and feelings of the people of that city over subsequent decades. Its editors and writers have taken on what I call a 'survivor mission' on behalf of the city's victims, a commitment to transforming the fear, conflict, and pain of the survivors into an active exploratory enterprise of profound significance.
Their contribution goes even beyond their descriptions of the human effects of radiation. In the way they have approached their study, they have demonstrated what I call a species mentality, a commitment that transcends immediate group or nationality and extends to all of humankind. They evoke in us a sense of shared fate, of universal susceptibility to a technology that knows no boundaries, geographical or temporal. We are all in this together, as potential victims and potential perpetrators as well.
Among the regions and incidents covered in these interviews are Chernobyl, the 1987 Goiânia Accident in Brazil, contamination from the Cold War weapons program at Semipalatinsk, Kazakhstan, and the Hanford Nuclear Reservation site in Washington State.
[Image courtesy Hiroshima Peace Media Center: "The mushroom cloud as seen from Kure, approximately 18 kilometers southeast of Hiroshima. This photo was taken by Masami Oki about 40 minutes after the bomb exploded."]
If I could snap my fingers and be in Berlin this October 4th through the 12th, I'd love to attend this remarkable Brazil-based international event:
The International Uranium Film Festival is dedicated to films about atomic bombs the whole nuclear fuel chain and radioactivity: Uranium mining, nuclear power plants, atomic bombs, nuclear waste, radioactive risks, nuclear medicine. The festival wants to stimulate the production of independent documentaries, movies and animated films about any nuclear or radioactive issue.
Uranium Film Festival is a project of the Yellow Archives, a cultural and educational organization that hopes to increase public information about nuclear power, nuclear waste, uranium mining and radioactivity in general. Yellow Archives is the first-ever film library in Brazil and Latin America dedicated to non-profit, educational and research films about the nuclear fuel chain and radioactivity, and makes its archives open to schools, universities and other non-profit organizations. Among the films to be screened are Roberto Pires' riveting Cesio-137: El Pesadelo de Goiânia (Cesium-137: The Nightmare of Goiânia), the 2011 Audience Award winner for Best Feature Film, and Bill Kiesling's 2012 "Yellow Oscar"-winning documentary, "Not for Public Release: a Nuclear Incident in Lock Haven."
For more background information on the Goiânia accident that claimed the lives of at least 4 people, sickened dozens with radiation illness, and caused widespread contamination (INES 5) throughout several districts surrounding the accident epicenter, see our April 30, 2012 post: http://corium.blogspot.com/2012/04/radioactive-casefiles-goiania-accident.html
A little over one year after Chernobyl focused the world's attention on what was then the worst-ever civilian industrial nuclear disaster, the Brazilian city of Goiânia became the scene of another major radiological accident, resulting in several fatalities and widespread contamination. [A definitive 1988 report is available online at IAEA.org. See links and videos at the bottom of this post.]
On September 13, 1987, two men broke into the Instituto Goiano de Radioterapia (IGR), a partially demolished private cancer radiation therapy facility, and carted away a 300kg object in the belief they'd a found a valuable scrap metal item. Roberto dos Santos Alves and Wagner Mota Pereira took the object to Alves' home, about one-half kilometer north of the clinic, and began to dismantle it.
Over the next few days Alves and Pereira cut away at the metal exterior and managed to puncture the casing. Despite the fact both men started to become violently ill with vomiting and diarrhea, they continued their efforts, eventually cracking open the device - inside was a smaller metal canister with a movable "window." When the inner canister's window was pried open, it revealed a mysterious blue glow inside the inner shell. The men scraped away and extracted several small chunks of the glowing blue substance within with a screwdriver to keep as "souvenirs."
On September 18th, Alves sold the object to Devair Alves Ferreira, a nearby scrap dealer. Fascinated by the blue glow, Ferreira invited his family and friends over to see and touch the object. Ferreira's brother Ivo brought some of the powder from the canister home and spread it on his floor; innocently, his 6-year-old daughter Leide played with the powder, rubbed it on her skin, and even ingested a small quantity. Over the next several days, she and others who handled the glowing powder fell ill with vomiting, diarrhea, skin rashes, burns, and blisters.
Now fearing the object was "killing her family," the scrap dealer's wife Gabriela placed it in a plastic bag, boarded a bus, and brought it to the Vigilancia Sanitaria hospital on September 28. One of two doctors who met with Gabriela that day suspected the danger, and placed the bag on a chair in the outer hospital garden, as far away as possible from human contact.
The following morning, a visiting medical physicist with a borrowed radiation detector confirmed the doctor's fears - the hospital now was massively contaminated with radiation. The physicist, identified only as "W.P." in official reports, initially encountered a great deal of resistance alerting authorities to the severity of the emergency. By the end of the following day, W.P. convinced the Secretary for Health of Goias State and the Director of the Department of Nuclear Installations in CNEN to begin a massive search and cleanup operation in the area.
What Alves and Pereira unknowingly brought home from the abandoned clinic was a lead-shielded cancer therapy device containing a lethally radioactive cesium137 chloride (salt) core. All told, 130,000 people were tested for radiation at area hospitals, about 250 were found to be contaminated, and 20 required treatment for radiation sickness. Several houses within the neighborhood had to be demolished, and the rubble buried in a remote waste site. The cleanup effort also was hampered not only by the length of time that passed since the core was exposed and handled, but also by the fact the radioactive powder was water-soluble.
Four deaths are attributed to direct exposure to the cesium core: Leide and Gabriela Ferreira, and two of Devair Ferreira's scrapyard employees succumbed to radiation poisoning about a month after receiving radiation doses of 4.5 to 6.0 Gy (500 to 600 REM). Leide was buried in a lead coffin surrounded by concrete in a Goiânia cemetery, where crowds protested her burial, fearing their relatives' graves would be contaminated. Remarkably, Devair Ferreira survived his massive 7.0 Gy exposure.
The accident - rated 5 on the International Nuclear Event Scale [INES] - spread radioactive contamination throughout the Goiânia districts of Aeroporto, Central, and Ferroviários. To this date an estimated 7 of the device's nominal 50 TBq (terabecquerels) of radioactivity remain unaccounted for.
Image at top from the IAEA 1988 report on the Goiânia Accident. Lower image, by Alexander Sassaki/SIPA Press appears in "Radiation Accident Grips Goiania," by Leslie Roberts, Science, 1987 (see link below).
Pra não dizer...que não falei do Césio-137: from Brazil, focusing on the radiological incident. Very interesting and informative blog, well worth visiting, even if (like me) you need to use Web translation tools for the original Portuguese.
"Radiation Accident Grips Goiania," by Leslie Roberts, Science (New Series), Vol. 238, No. 4830 (Nov. 20, 1987), pp. 1028-1031. Published by: American Association for the Advancement of Science [JSTOR subscription required]
[Note: the URL for this video has been changed] On YouTube, you can view an informative 37-minute TV documentary on the Goiânia accident (in Portuguese) as part of the Linha Direta investigative series, hosted by Domingos Mireilles, containing a detailed re-enactment*: Odesson Alves Ferreira, president of Associação da Vítimas do Césio 137, is interviewed beginning at timestamp 4:18.
IAEA Video: The Legacy of the Goiânia Radioactive Source Accident:
YouTube video: "Enterro de Leide das Neves Ferreira - Apedrejamento e Vandalismo no Cemitério Parque" ("Burial of Leide das Neves Ferreira - Stoning and Vandalism in Cemetery Park")
While I haven't yet had the chance to attend one of the touring festivals since their start in 2011, as a former media person with a life-long fascination in all things nuclear, the international Uranium Film Festival holds a very special interest for me. This past Sunday, May 26th capped nine days of film and documentary showings in Rio with the "Yellow Oscar" awards, celebrating offerings of exceptional merit. From the Uranium Film Festival's "Art and Awareness" website section,
