The "Chernobyl Diaries" Movie: Cultural Amnesia?

On May 25th, Warner Brothers will release a science fiction/supernatural horror film set in Pripyat, the abandoned "ghost town" adjacent to the ruins of Chernobyl's reactor complex. The crumbling town, seen for years on sites like "Kidd of Speed," seems a perfect backdrop for fright flicks. Let me say at the outset that I'm a huge movie fan: cheesy, gory horror flicks are some of my favorites. That said, as someone who was profoundly affected as a college freshman by live unfolding news accounts of Chernobyl (in fact, those memories are one of the main reasons I started this blog back in 2004) I have to admit I find the film's concept a bit troubling and distasteful.

I suspect the primary target audience, if not the filmmakers themselves, probably view the Chernobyl tragedy as just another creepy historical footnote, something awful that happened a long time ago in a country far away. With popular video games like "Stalker: Shadow of Chernobyl," and the film's central premise of "extreme tourism" into the Exclusion Zone, Chernobyl's legacy has mushroomed (if you'll forgive the expression) into a booming cottage industry of curiosities for the "zombie apocalypse" crowd.

Since the nuclear strikes on Japan in World War II, popular culture from 50's Pulp and Godzilla to the Hulk and Spiderman have conflated nuclear mishaps with Bug Eyed Monsters. But I wonder: would movie executives and audiences respond favorably to a zombie apocalypse tale set in a different contemporary locale - say, the Japanese Tsunami of 2011 and the Fukushima Disaster? The Union Carbide Disaster in Bhopal, India? Hurricane Katrina? The terrorist attacks of 9/11?

The passage of time always seems to be an insulator against troubling memories; the human race couldn't survive otherwise. What's sad is that if nothing else, "Chernobyl Diaries" highlights how a mere two-and-a-half decades can generate cultural amnesia of the immense sacrifice and suffering that occurred in Europe and that continues to this day. Thinking charitably, maybe any kind of attention to the Chernobyl tragedy could generate a resurgence of interest in the continuing human need there; after all, they say there's no such thing as bad publicity.

Perhaps the least the makers of "Chernobyl Diaries" could do is donate a portion of their profits to one of the many charitable organizations that provide ongoing support to Chernobyl's victims, many born decades later. Those who were there and survived live with scarred minds, hearts, and/or bodies: every living being born in the afflicted region since April 26, 1986 will carry Chernobyl's memory into the far distant future.

[UPDATE: At least one other film, "Return of the Living Dead 4: Necropolis" was purportedly set in the Chernobyl area; but marketing was fairly low-key and the studios seemed to end up downplaying the Chernobyl connection.]

Chernobyl Children's Project International's "20 Years, 20 Lives" Series

A little while back, I received an email from Kathy Ryan of the Chernobyl Children's Project International, with news about the organization's special web series, "20 Years, 20 Lives":

"...I've been reading your Radioactive blog with interest, and I wanted to call to your attention a series that we recently started running on our website. It is called "Chernobyl: 20 Years 20 Lives" and it is a series of eyewitness accounts in words and interviews of people whose lives continue to be affected by the Chernobyl nuclear disaster...."

Thank you for your message, Kathy - I'm very happy to pass on the word, and thank you for all the good work your organization provides to help those affected by the disaster.

Chernobyl – Twenty Years, Twenty Lives is EarthVision's photo journalistic journey through the countries of the Ukraine, Belarus, Russia, Latvia, Sweden, France, and UK. It follows twenty people in their daily lives nowadays and reflects on how they changed after the events of April 1986. The goal of the project is to learn from the history and look at the accident from the present perspective at different levels, both locally and globally. Almost 20 years after the Chernobyl disaster, controversy continues about the true effects of the disaster. Chernobyl Children's Project International believes that the story of Chernobyl can be best told through the eyes of the variety of people who have been affected by the disaster.
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A photo exhibition with the twenty life stories will tour the world beginning at April 2006. EarthVision is currently seeking exhibition hosts. You can reach EarthVision and learn more about the project at 20lives.info.